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| Chaos Theory: Splinter Cell 3 Soundtrack | 
| List Price: $19.98
Buy New: $13.98
You Save: $6.00 (30%)
Buy New/Used from $12.99
Avg. Customer Rating:  (based on 19 reviews)
Sales Rank: 121432
Category: DVD
Actors: Michael Ironside, Claudia Besso, Don Jordan, Thor Bishopric, Danny Wells
Director: Mario Galardo
Publisher: Ninja Tune
Studio: Ninja Tune
Manufacturer: Ninja Tune
Label: Ninja Tune
Format: Soundtrack, Ntsc
Media: DVD
Number Of Items: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
UPC: 625978110096
EAN: 0625978110096
ASIN: B0007SL3G0
Release Date: April 19, 2005
Theatrical Release Date: March 31, 2005
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Album Description
Soundtrack CD featuring extended versions of the themes from the game.
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| Customer Reviews: Read 14 more reviews...
 Awesome. February 13, 2007
1 out of 1 found this review helpful
I really enjoyed this soundtrack. It brought back a lot of memories of sneaking up behind people in the game, and is definitely one of my more played soundtracks. The sound is very distinctive, and the compositions are incredible; Amon Tobin's mastery of sound shows in every piece.
 AK47.. July 18, 2006
4 out of 5 found this review helpful
This CD is spine chillingly brilliant. Relighting memories of hiding in the shadows, and lurching out at your unsuspecting enemies. It's only once you have heard Amon Tobin's work, without being chased by an AK47, that you can really start to appreciate every aspect of this masterpiece. It makes you feel emotions that would never see the light of day in normal music. Simply outstanding! A must buy for a Splinter Cell fan, or for someone that has never played the game. You can't go wrong, in feeling something for this.
Chaotic Indeed... June 25, 2006
3 out of 3 found this review helpful
I love the title "Chaos Theory". Bit of a contradiction, innit?
Having had this album now for some time, since its release date anyway, I can confirm 2 things:
a) It's still mind bendingly different
and
b) It's absolutely brilliant.
This is quite a departure for Mr Tobin. Being a sound pincher a la DJ Shadow and other Ninja Tune stable mates, it must have been quite a challenge to make this album, considering that it is an album created by REAL musicians. Even more of a challenge considering that they all spoke completely different languages and the two brothers that worked on the record didn't get along (see sleeve notes and various internet reviews). And how did Amon get them to make the sounds he wanted if he himself is not a musician? Did he whistle them? Did he fart them? HOW? Thats what he leaves me wondering after every record. How?
This is the only score (not soundtrack) that I have repeatedly listened to ever, and that goes for films too. It's extraordinary how Tobin manages to bring together a group of instrumentalists to create the sound he has, which is where his studio engineering comes into play, I guess. Chances are we wont see a live show of this.
This is essentially a dark, broody, paranoid, schizophrenic sound murdering excercise that has probably been accentuated due to heavy bouts of weed smoking. A remarkable factor of this album are the things that you think you heard, but are not quite sure. Felt bass rather than heard bass has been an Amon trade mark for a while and he plays with this throughout. The arrangement and complexity of the beats are unprecedented for a pop band setup (anybody care to challenge this?) and I dare anybody to listen to it and NOT feel something. Be it panic, paranoia, power (end of El Cargo), you will feel something. Probably nauseous.
Amon's love of jazz really shines through on this record and I find it subtly blending bits of Permutation with Out from Out Where (Kokubo Sosho Stealth) a real treat to the ears.
Mr Tobin makes it clear that this is NOT a 6th album (incl. Cujo), so just enjoy it for what it is. It doesn't get five stars because it is missing the one essential ingredient that his best album (Permutation) has: a wickedly dark sense of humour that makes you want to chuckle and hide at the same time.
Look at that. An review about a game soundtrack without a mention of the game. Times are a changing. Will it be the case that some day a score for a film will totally outshine the film itself? Who knows, but Amon has finished the score to a film called Taxidermia. I don't have a clue what the film is about, but the score is good though...
Simply Breathtaking July 27, 2005
7 out of 8 found this review helpful
Prior to the Playing of SC: Chaos Theory, i didn't even know who Amon Tobin was, and boy was I missing out. Soon after hearing the in-game music, I did some investigating and found out who the artist was. I can tell you that after getting this CD, I love every single track on this disk. The dark, moving melodies can almost draw you into a different world and stir up different emotional reactions within you. If you are even a passing Amon Tobin Fan, this CD is for you.
Amon Rocks Again June 3, 2005
5 out of 5 found this review helpful
I've loved Amon's work for years and this is no exception to the high-octane high quality music this guy seems to effortlessly perfect album after album.
For those who know Amon's work, this is a little more `accessible' than his older stuff but don't let that put you off. But for those who don't know it, maybe for the gamers, this is the ideal gateway into his world.
His talent is something to behold, and he reaches new levels with the full orchestra behind his beautifully choreographed strings, samples and heart-breakingly fast beats.
The first track kicks off with a fantastic hard-core riff that promises deeper and darker paths ahead. I'm not much of a gamer, so I can only imagine that the images conjured by the music match and enhance the game to no end. Like walking through a spider-web and the horror dawning on you that you're the prey.
Theme From Battery is one of my favourites, slow and atmospheric, bleeding into the next track with more familiar break beats and industrial sounds. El Cargo is haunting and eerie, letting Displaced slam huge steel doors behind you as you run for cover.
This is total Tobin, at his very best. What I love about it is that I can thoroughly recommend it to anyone who knows serious music when they hear it.
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