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 Location:  Home » Music » General » Caetano Veloso (Tropicalia)November 22, 2008  
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Caetano Veloso (Tropicalia)
Caetano Veloso (Tropicalia)
List Price: $17.99
Buy New: $10.47
You Save: $7.52 (42%)
Buy New/Used from $10.47

Avg. Customer Rating: 4.5 out of 5 stars(based on 7 reviews)
Sales Rank: 23268
Category: Music

Artist: Caetano Veloso
Publisher: Polygram Int'l
Studio: Polygram Int'l
Manufacturer: Polygram Int'l
Label: Polygram Int'l
Format: Import
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

UPC: 042283855724
EAN: 0042283855724
ASIN: B00004TR0P

Release Date: May 29, 2000
Availability: Usually ships in 1-2 business days

Tracks:

  • Tropicalia
  • Clarice
  • No Dia Em Que Eu Vim-me Embora
  • Alegria, Alegria
  • Onde Andaras
  • Anunciacao
  • Superbacana
  • Paisagem Util
  • Clara
  • Soy Loco por Ti, America - Caetano Veloso, Gil, Gilberto
  • Ave Maria - Caetano Veloso, Schubert, Franz
  • Eles

Similar Items:

  • Transa
  • Tropicalia 2
  • Ce
  • Caetano Veloso (Irene)
  • Clube da Esquina

Editorial Reviews:

Album Description
2007 Brazilian reissue of the 1968 album, also referred to as Tropicalia. This self-titled release is often cited as one of the most important in Caetano's career. Most of its tracks have become classics. 12 cuts including 'Tropiclia', 'No Dia Em Que Eu Vim Embora' (with Gilberto Gil), 'Alegria, Alegria' and "Eles" (also with Gilberto Gil). Universal.


Customer Reviews:   Read 2 more reviews...

5 out of 5 stars Solid all the way through, with variety too.   June 1, 2007
  2 out of 2 found this review helpful

If I had to pick a "scene" in rock history that seems to transcend every pop staple, it would be those illuminary Brazillians from the late 60's. There are so many super-talented and visionary artists from that movement, I sometimes feel overwhelmed by the passion and exhuberance of these albums. Caetano Veloso is one of those artists. I sometimes feel like the romantic drama and devil-may-care virtuosity of this album could drive anyone to tears, or at least to youtube, trying to find any way to vicariously experience whatever socio-political hell was responsible for an artist like Veloso to grab everything meaningful in life, shoot it out of an existential cannon; watch it float through outerspace and land in the Amazon. It sounds so futuristic, so contemporary, so pre-historic. I still listen to this album, scratching my head, wondering: "How the hell did he do that? How can anyone evoke everything through sound with seeming effortlessness?" and then I realize it is the entire experience that he is channeling: the military overthrow, the intense repression of individualistic efforts, the racial conflict and an economic overhaul felt through the impoverished ranks of a sickeningly rapid transition to modernity. All of that and just drop you to your knees beautiful songs that the most hardened death-row inmate would fall in love to. Be careful who you are listening to this with; it's sensual allure is basically immutable. This album is absolutely fantastic, and there are several from this movement. Tracks 2 and 5 will absolutely break your heart, while track 12 will leave you sweating with abstract pop largesse. Keeping in mind, that this album starts off with a genre, and perhaps even nation-defining track: Tropicalia. Good God, just buy this album.
I have never felt more comfortable recommending an album so unconditionally.



5 out of 5 stars Desert Island   April 10, 2007
  1 out of 1 found this review helpful

This album is simply divine from start to finish. During the 60s a lot of American blues and soul music was going psychedelic. The same thing was happening in Brazil with bossa nova and samba. Firstly, you can't top Caetano's tenor. I think Caetano could make an acappella record this good. He could suffice with only a woodblock. His is a sauce with a lot of cream. He is able to create and hold melody with his voice. A lot of BN singers dance around like butterflies, which is great too. But Veloso isn't afraid to emphasize in a style that is ostensibly finesse but actually power. The second track "Clarice" is BN so stoned and slowed down it's just one of the most soulful things I've heard. Contrasted by "Clara" whose xylophone backed whimsical gameshow sound is tropicalia at its best, flying below some of the cheesier tendencies of the genre. The violins are fantastic, which is a suprise because orchestration ruined so many Brazilan records (Phillips & EMI). The percussion is on point throughout--a wood block never sounded so wooden. One of the best qualities of great music is its ability to wind, spiral, and layer. These songs sound new every single time. I still save it for sunny Sundays. This is the Pet Sounds of Brazil. I'll take this one to the island though even though/because I don't speak Portuguese.


3 out of 5 stars If you don't understand Portugese...   January 14, 2007
  4 out of 19 found this review helpful

This record is an interesting historical document of a Brazilian artist digesting many of the influences of pop music in the late 1960s and applying it to his art. In other words, it is both derivative and original at the same time.

It is melodic, the arrangements are nice. The styles represented are rather ecclectic.

I can't make any judgments on the lyrical content since it is sung in Portugese and there is no translation of the extensive lyrics on the enclosed lyric sheet. The music alone is not enough to hold my interest on repeated listening, and with no lyrics, the album is of limited value to me.

By the way, the album is monophonic, and it sounds like many pop music efforts of its time -- attempting to squeeze vocals and multimiked orchestral arrangements and guitars/drums all into one center channel. The sound is dated: compressed, and a little tinny.

I'm sure that at the time this sounded groundbreaking to some people. Listening in a modern setting, apart from the fact that it is melodic, whereas other pop music at the time of its releast was getting increasingly agressive, it is good music but not great.



5 out of 5 stars Oh Snap   April 9, 2006
  2 out of 5 found this review helpful

Oh. What? This album could be the hottest. All tropicilia albums are something to check out, but this one rides into the sunset. Out of all those fools...this one is in the top three. Definetly his best album. If you like anyhting. You'll find something to like on this. Essential.


5 out of 5 stars Great Lyrics   November 28, 2003
  9 out of 10 found this review helpful

This is an excellent album. Caetano's records of 1967 and 1969, when released were like nothing else played in Brazil at the time.

Caetano's lyrics are always excellent, and, in my opinion, he as yet to outdo himslef after his first two records. He and Chico Buarque de Holand are the premier lyricists in Brazilian music.

A testament to that is my memory, as I recently found out I could recall by heart all the lyrics for all the songs in these albums, more than 30 years after learning them at three years old.

Never mind that I have lived in foreign country, speaking in a foreign language for many years.

i was delighted to see the CD's at amazon, and just had to purchase them.

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